Al Campolitto bending metal for decorative iron railing 01
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Al Campolitto bending metal for decorative iron railing 02
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Al hammering decorating scroll work
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Al shaping scroll at vise 01
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Al shaping scroll at vise 02
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Al shaping scroll at vise 03
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Al shaping scroll at vise 04
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Al welding piece to iron rail
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Al welding railing
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Al working on scroll work for railing 01
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Al working on scroll work for railing 02
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Al working on scroll work for railing 03
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Another view of Albert Hobbs lamp
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Another view of iron fencing, with cemetery stones in background
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Anvil and hammer
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Anvil in Hobbs workshop
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Bag of soft coal, which Norman Hobbs calls “smithy coal”
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Bench vise
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Burnstide Building, Main Street, Worcester
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Calendar advertising Italian metal supply company
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Candleabra made by Norman Hobbs
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Chandelier with iron arms and lathe turned wood center, similar in design and materials to lamp produced by Hammerworks
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Closeup of post
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Closeup of shearer
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Corner of Hobbs retail shop
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Cornerstone of cathedral, showing date of 1869
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Decorative iron railing in the shop to be restored 01
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Decorative iron railing in the shop to be restored 02
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Decorative lamp made by Albert Hobbs
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Decorative piece by Albert Hobbs, with rose motif
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Decorative window grille with scrollwork, made by Larry Hobbs
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Design drawn in chalk by Al
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Detail of decorative element on bed frame, with circle motif
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Detail of decorative scroll work on railing section
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Detail of iron fence and post 01
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Detail of iron fence and post 02
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Detail of iron railing, showing bolted joints
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Detail ofcandleabra
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Detail, in closeup
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Fence at St. Paul’s Cathedral on High Street, Worcester.
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Field notes on AG Welding, Norman Hobbs, and Larry Niikwartey Quarartey
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Final shaping at anvil
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Folding length of metal
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Folding the metal
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Forge in Hobbs workshop
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Hammering the iron for final shaping 01
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Hammering the iron for final shaping 02
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Historic photograph, depicting carriages lined up outside the Hobbs shop in Ashburnham
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Hobbs Forge sign with decorative iron work
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Hobbs retail shop building at front of Hobbs forge
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Hobbs shop with two forms of decorative iron work: the white iron is more functional, the black iron more decorative but especially, employs a free form design